Female "Lao Lai" lives in a luxury house and drives a famous car full of famous brands. If she owes 30,000 yuan, she will not pay it back.

  Living in a 5 million mansion, driving a Porsche sports car, full of brand-name shoes and bags, but owing more than 30 thousand principal and interest. Late at night on February 24th, facing the executive judge of Suzhou Industrial Park Court who came to the door again, the local tyrant Lao Lai still refused to pay back the money, and was finally killed by judicial custody.

  At 11: 30 pm on the 24th, the executive judge of Suzhou Industrial Park Court and his party came to the famous Xi ‘an Garden Community in the industrial park and finally knocked on the door of a family living on the seventh floor. The "Lao Lai" Yimou, whom the executive judge was looking for, was at home. When she saw many media present, she immediately put on a mask and covered her face with a scarf.

  The executive judge said that this time it was a financial loan contract dispute case. Xu and Yimou were husband and wife, and later divorced. They had previously owed the bank more than 250,000 yuan in principal and interest, but Xu had disappeared. The joint debt of the couple, Yimou, as his ex-wife, was jointly and severally liable. During the execution, the court found out that there were several properties and sports cars under the names of Xu and Yi. The court seized these properties and sports cars according to law, deducted the deposit under Yi’s name, and left them with more than 30,000 yuan and interest.

  The reporter learned that the property that Yimou lives in now is worth more than 5 million, which is recorded in the names of both her and Xu. The executive judge read out the search warrant in front of Yimou. Later, during the search, it was found that the house was luxuriously decorated. Yimou bought more than 10 brand-name handbags and dozens of pairs of brand-name shoes. The dresser was full of brand-name cosmetics, and the cloakroom was covered with brand-name evening dresses … … The onlookers saw this and immediately fried the pot on the Internet, leaving messages that were "eye-opening". A netizen said, just two handbags or a few pairs of shoes are enough to pay back the tens of thousands of arrears and interest. Why should we suffer this crime? I really don’t understand how this local tyrant thinks and is willing to be an "old lai".

  Yimou insisted that he really had no money to pay off his debts. The executive judge clearly told her that Yimou was fully aware of the debt owed to the bank at the beginning and belonged to the joint debt of the two, so Yimou was jointly and severally liable in law. Now that Xu can’t find it, she is obliged to pay off the money. Being handcuffed and seeing that he was going to the detention center, Yimou, who had insisted that he had no money to pay back, was soft. She wrote a letter of repentance to the judge and promised to go to court on Monday to deal with the remaining debts.

  According to Yangzi Evening News

After Mou Qizhong was released from prison, he made his first public appearance and recalled the old department to prepare for the resumption of business in South Germany

(Original title: Mou Qizhong made his first public appearance after he was released from prison. He recalled the old department and established the Nande Rehabilitation Group)

Mou Qizhong when he was just released from prison.

This is Mou Qizhong’s first public activity since he was released from prison on September 27th last year.

On the afternoon of June 16th, the "Gonghe Fund 2016 Award Ceremony of Gonghe People" hosted by the Gonghe Fund of China Social Work Development Foundation was held in Beijing.

Mou Qizhong and Xia Zongwei were jointly nominated for the 2016 public and annual figures.

"If you write a folk version of China’s contemporary history, there must be a story of Mou Qizhong." This is the first sentence of Mou Qizhong’s nomination reason for winning the prize.

At the awards ceremony, the arrival of these two people caused a stir, and many admirers came to greet and take photos.

Mou Qizhong said that he needs to tell the outside world what he has done since he was released from prison for nine months. The most important thing is to "resume his career" and revive Yugoslavia.

Earlier, on March 27th, Mou Qizhong chose the day when she was released from prison for half a year, as the beginning of her resumption of work. On this day, a seminar on intelligent and civilized production mode in Nande was held in a hotel in Mentougou District, Beijing.

It’s only a 10-minute walk from Nande Dormitory in Mou Qizhong. On January 7, 1999, Mou Qizhong was arrested from this dormitory building on the way to the office of Nande.

Among the more than 80 people who attended the seminar that day, there were several old employees of Nande. Now they have a new identity as "members of the preparatory group for the resumption of business in Nande", and the leader is naturally Mou Qizhong.

"Starting from scratch again and succeeding again will prove that my theory is correct." Mou Qizhong said, glories and legends are in the past.

1. Debut

"His story lies in his wonderful thinking."

Before that, many forums and conferences had expressed their wish to invite Mou Qizhong to attend, but they were all turned away by him.

Regarding the nomination of the person of the year, Mou Qizhong told Xia Zongwei frankly that what he valued was not the nomination, but because the organizers of this conference had old friends whom he had trusted for many years. He wanted to thank a trust that he had never given up for decades, and he valued the public welfare of the foundation.

"Public welfare, which is consistent with his temperament." Xia Zongwei said.

In the award speech, the deeds of this "business godfather" were summarized: If you write a folk version of China’s contemporary history, there must be a story of Mou Qizhong. His story is not only a legend that survived several times, or a groundbreaking handwriting, but also his extraordinary thinking ability, which has been trying to break through the prison of thought; His whimsical ideas always break through the limits of the flesh. Today and in the future, China society will always need to burst Himalayan imagination and will.

Of course, people have not forgotten Xia Zongwei. The reason for Xia Zongwei’s election is: "No matter whether he is prominent or in trouble, Xia Zongwei is his most loyal supporter. Although thousands of people have gone, this courage is comparable to the spirit of Mou Lao."

At the awarding ceremony, everyone saw the arrival of Mou Qizhong and Xia Zongwei, and many people came forward to greet them.

Since he was released from prison, Xia Zongwei has been trying to make Mou Qizhong keep a low profile. When he goes out to meet people, he will try to arrange them in a place where he can keep private, and he will wear a hat when he appears in public places.

2. Resume business

"We are willing to return to Nande again."

The headquarters building of Nande in those days.

The current situation of the headquarters building in Nande in those days. The tenants upstairs have already changed several times. Most people don’t know the story of Mou Qizhong being here.

Xia Zongwei said that the resumption of business activities of Nande Group began after Mou Qizhong settled in Beijing.

From November 17th to 19th last year, Mou Qizhong held a forum for representatives of old employees from all over China.

After this symposium, Mou Qizhong formally established the "Preparatory Group for the Resumption of Business in South Germany". On New Year’s Day this year, Mou Qizhong also issued a New Year’s Day message on behalf of the group.

At that time, many of these employees were in their twenties and thirties when they entered Nande. They were full of energy and were entrusted with heavy responsibilities by Mou Qizhong. Many of them stuck to the last moment of Nande.

Li Fugeng, president of the former research institute of Nande Group, said: "It is not easy to meet again after nearly 20 years. We respect Mr. Mou Qizhong very much."

After the return of many old Nande employees, the words "members of the preparatory group for the resumption of business in Nande" were uniformly printed on their business cards.

Xia Zongwei said that when he was still in prison, Mou Qizhong often chanted the poem of Marshal Chen Yi: Go to Quantai to recruit the old troops, and fight Yamaraja with a hundred thousand banners.

Wang Deguo, who was the general manager of Nande Satellite Company, said: "Because of our trust in General Mou, we are willing to return to Nande again. In fact, many of us have our own careers after leaving Nande. "

In addition to the old employees, Mou Qizhong also found some new people to join.

A Shanghai investor, in order to go to Mou Qizhong, changed the legal person of three mature companies and diluted their shares, just to be able to follow Mou Qizhong freely.

Before Mou Qizhong was released from prison, Xia Zongwei once imagined that it would be nice if he could spend his old age like an ordinary old man, so that she could "retire" herself after she settled him down.

Mou Qizhong is not destined to be a quiet person.

After he was released from prison, Mou Qizhong told Xia Zongwei many times that he even missed the time in prison, which was a "study-style" time for him. In prison, he systematically reflected and summarized the past, but now he is too busy to have time every day.

Mou Qizhong also took Chen Duxiu’s article "Research Room and Prison" as an example, saying that there are only two places in the world that produce civilization and ideas, science research room and prison. "From this perspective, prison is a good place for me." Mou Qizhong said.

3. Start.

"The only thing I can do is to fight for my life."

Now, in the living room of Mou Qizhong’s Beijing apartment, someone reports his work progress every day. After a short thought, he will still give an unquestionable answer like that.

The real starting point for the resumption of business is March 27th.

This day is a special day for Mou Qizhong, when he was released from prison for half a year.

Since the first day of his release from prison on September 27th last year, Mou Qizhong’s only thought was how to resume her career.

On March 27th, a seminar on intelligent and civilized modes of production in Nande was held in Mentougou District, Beijing. More than 80 participants came from entrepreneurs all over the country. During the four-day session, Mou Qizhong spoke for half a day continuously every day.

After half a year’s thinking and preparation, on March 27th, a seminar on intelligent and civilized production mode of Nande was held in Mentougou District of Beijing. More than 80 participants came from entrepreneurs all over the country, including returnees and businessmen from Hong Kong and Macao.

During the four-day session, Mou Qizhong spoke for half a day continuously every day.

"What I want to talk about is where she came from, where she is going, and what her goal is." On the first day, Mou Qizhong was enlightened.

Although he is nearly 77 years old, Mou Qizhong has a quick mind and amazing memory, and his viewpoints of Marx, Fukuyama, Clark and other economic and historical scholars are readily available, which makes many entrepreneurs in the audience amazed.

As the sole agent of Mou Qizhong in the past 16 years, Xia Zongwei commented on Mou Qizhong: "He is running in front of his mouth. Although many of his ideas are unconstrained by the outside world, he has his own logic and proof."

Nande Group bought 264 houses in Mentougou as staff quarters. After Mou Qizhong was arrested, these houses were auctioned by several different courts.

The seminar was held only 10 minutes’ walk from the dormitory of employees in Mou Qizhong and South Germany. On January 7, 1999, Mou Qizhong was arrested on the way from this dormitory to the office of Nande.

"After 18 years in prison, I never stopped thinking," Mou Qizhong said. "I kept exercising and studying in prison in order to keep up with the pace of progress. In the past six months, I have been thinking about how to revive Nande every day, and whether it can create a more brilliant career. "

Mou Qizhong said that the first thing he thought about when he left prison was how to push the cause of South Germany to a higher peak and a larger scale.

In 2004, Mou Qizhong once said to a visiting friend, "My only regret is that I was forced to terminate the experiment and research on the mode of production in the era of intelligent civilization. I’m over sixty, and time is precious, but I can only waste my time in prison. My greatest wish is to continue my experiment after I go out. I believe I can come back. "

When Mou Qizhong was released from prison, Xia Zongwei also said in an interview with a cover journalist: "For him, there is no more time cost. Steady progress is the most important thing. "

The three prison terms add up to 23 years and 3 months, so it can be said that Mou Qizhong spent his best years in prison.

"The only thing I can do is to fight for my life. Why else should I exercise? " Mou Qizhong said.

Today, Mou Qizhong still keeps his schedule and exercise style in prison.

4. Find your way

In the name of people is a must for every episode.

In Mou Qizhong’s own view, it is difficult to adapt to society after he is released from prison, but it is even more difficult to judge the situation.

Some time ago, Mou Qizhong watched almost every episode of the in the name of people fire. "This is an artistic embodiment of the current anti-corruption situation," Mou Qizhong said.

After he was released from prison, Mou Qizhong went to Shanghai and stood in the Shanghai World Financial Center overlooking Shanghai.

After being released from prison on September 27th, 2016, Mou Qizhong returned to his hometown in Wanzhou from Wuhan, then went to Chongqing, Chengdu, Shanghai and other places, and finally settled in Beijing. This route is also the route that Mou Qizhong left Wanzhou to open Nande Group more than 30 years ago.

After 18 years in prison, Mou Qizhong followed this road to observe the active areas of China’s economy.

Now, Mentougou is chosen as the starting place for the third venture. On the one hand, it may be for "where to fall and where to get up". On the other hand, for Mou Qizhong who likes "Beijing style", Mentougou is in a position of "upper hand and upper water" in Beijing.

While observing along the Mou Qizhong, one thing Mou Qizhong did at the same time was to meet people and collect information from outside. "I meet different people almost every day, including entrepreneurs, scholars and fans who come here." Xia Zongwei said.

Mou Qizhong said that he would test his judgment of the present by talking with different people.

Mou Qizhong was desperate for information, and he attributed his success to his grasp of all kinds of information. Today, he still regards the acquisition of information as a main job.

As early as 1995, Mou Qizhong came into contact with the Internet for the first time when he took Nande satellite to Wall Street in the United States to look for listing opportunities. At that time, Mou Qizhong asked people around him: "Can we get everything on the Internet, even bread?"

After returning to Beijing, Mou Qizhong immediately bought the Reuters terminal. At that time, 2,000 pieces of Reuters news were constantly updated on the electronic big screen in the lobby of Nande Building every day. At the same time, Nande laid a special optical cable for Internet access, which was the second unit in China to lay such optical cable after Institute of High Energy of Chinese Academy of Sciences at that time.

In prison, Mou Qizhong kept a lot of reading habits. After half a year’s contact with the outside world, although Beijing is no longer his impression of Beijing, from the perspective of information circulation, Mou Qizhong doesn’t think he is out of touch with society. On the contrary, he thinks that people outside have less information than he has.

For the constant meeting, Mou Qizhong also has a selfishness, that is, he hopes to find young people who can start a business with him again.

5. Mission

"We live in a golden age"

When he first got out of prison, Mou Qizhong said that he knew all about smart phones and WeChat, but he just couldn’t use them. He said that to learn to use a mobile phone, you have to apply for a micro-signal.

Keeping the habit of collecting scientific and technological information, Mou Qizhong has a strong interest in artificial intelligence, Internet of Things and other emerging technologies after he was released from prison.

In April this year, Li Yanhong published the book "Intelligent Revolution". After reading the whole book, Mou Qizhong was very interested in the preface "Dawn of AI Era" written by Liu Cixin.

In the preface, Liu Cixin wrote: "This is the real liberation of mankind and a big step towards the ancient utopian ideal. 2016 is the 500th anniversary of the publication of Utopia, but Thomas and Moore never thought that his ideal would be realized by intelligent machines. I am very interested to think, if Karl Marx knew about artificial intelligence, what would his theory about capitalism and communism look like? "

For this question of science fiction writers, Mou Qizhong solemnly said: "The Nande Experiment has been trying to answer such an epoch-making question."

Mou Qizhong’s discourse system is full of exposition of the background of the times. He constantly stressed that his experience followed China’s reform process, and everything he did would be meaningless if he abandoned the background of the times.

As the "richest man" in those days, Mou Qizhong lived in the same house as ordinary employees, only two suites were opened. In addition to piles of books, there was only an old treadmill given by others in the room.

In his personal life, Mou Qizhong is a minimalist, and he likes to eat noodles and hot pot. In his view, "these two kinds of food are convenient to cook and can be eaten when cooked."

It is hard for Mou Qizhong to understand that some people spend tens of thousands of dollars on a meal, and even think that they are pitiful.

"People have to have a mission when they are alive. If I can’t move after I get older, I won’t drag everyone down." When talking about feelings with visitors, Mou Qizhong said so.

In nine months, many people hope to get Mou Qizhong’s advice and help, or even just hope to meet him to solve their doubts.

Some agricultural entrepreneurs from Henan hope to use the name and brand of Mou Qizhong to create a second project similar to Chu Shijian’s "Chu Orange"; There is also an entrepreneurial loser from Chengdu, who was at the lowest point of his life when he met Mou Qizhong because of his third entrepreneurial failure. But after listening to Mou Qizhong’s words, I regained my confidence again.

A 90-year-old from Shenzhen came to Beijing just to see Mou Qizhong. "I didn’t know him before, but after seeing the news that he was released from prison, I searched all his experiences. I think this is a legend." The post-90 s Shenzhen said.

Many people asked Mou Qizhong why he insisted on going to prison again and again. In this sense, Mou Qizhong said that he thought his three times in prison had special significance: the first time he went to prison was to fight for the birth right of private enterprises, the second time he fought for the survival right of private enterprises, and the third time he fought for the development right.

Because of this "sense of mission", when Mou Qizhong was in prison, he disdained to associate with several bosses of private enterprises who were held together in the same prison. In his view, some people were selfish and lacked justice.

When evaluating himself, Mou Qizhong is willing to quote Guo Moruo’s words: "There is such a person in this era; There is such a person who lives in such an era. "

In the face of confused visitors, Mou Qizhong said the most: "It is difficult for a person to meet such an era. We live in a golden age. Don’t be confused and don’t be discouraged."

Obviously, Mou Qizhong wants to recreate an era that belongs to him.

For visitors, Mou Qizhong’s sentence "Life can last for over a hundred years, so why not be crazy and then be a teenager" is more like an inspirational life motto.

6. Thinking

"I thought about it in prison for 18 years."

"At 4 pm on February 18th, 1992, a brand-new Figure 154 plane landed smoothly at Chengdu Shuangliu Airport, which was the third trunk plane obtained by Sichuan Airlines. At this time, the fourth plane is being assembled in kuibyshev Aircraft Factory, 5000 kilometers away, and thousands of tons of China goods are being shipped to Moscow.

Incredibly, it was a private entrepreneur, Mou Qizhong, who planned the biggest one-way barter trade between China and Russia. "

This is the first sentence of the article "Let 99-degree water boil as soon as possible" published by Economic Daily on April 8, 1992.

After this airplane trade, Mou Qizhong put forward his "99-degree plus 1-degree theory", that is, social stock assets are like water that is burned to 99 degrees, and it can be boiled by adding 1 degree. This degree is the wisdom economy of him and South Germany.

Mou Qizhong said to Xia Zongwei, "No matter how good the theory is, it still needs to be tested by practice. Unlike those economists and theorists, I have discovered a set of theories myself, and I can prove it myself. "

Liu Zhongzhi, who met Mou Qizhong in the 1970s, said that Mou Qizhong’s one-degree theory is actually similar to that of internet plus today. The stock of traditional economy is already very large, and it only needs a little push to generate huge energy. For example, the current bicycle and the Internet of Things will become bike-sharing.

Regarding the "intelligent and civilized mode of production", Mou Qizhong insisted that he had discovered a "new law". Mou Qizhong said that after he was released from prison, he would continue his experiment in Nande and practice the wisdom-centered mode of production on a larger scale.

As early as 1996, Mou Qizhong published the "Declaration of South Germany on Smart Economy", which recognized that human beings were bidding farewell to the era of industrial civilization and entering the era of smart civilization. He believes that the center of industrial civilized mode of production is monetary capital, and the center of intelligent civilized mode of production is wisdom, which is a unique ability of human beings to create new methods, new experiences, new knowledge and new knowledge to solve difficulties.

Mou Qizhong believes that the essence of smart economy is actually the innovation advocated today.

Regarding this theory, Mou Qizhong said: "I thought about it in prison for 18 years."

Mou Qizhong said that the next goal of the Nande experiment is to design and operate the enterprise model in the intelligent and civilized mode of production, and demonstrate it to the whole society.

"It is to let this mode of production openly accept the practice test of the whole society." Mou Qizhong said.

Mou Qizhong said that the third venture of Nande started here, and the glory and legend are all in the past.

7. Case

If the criminal complaint is closed normally, the assets of Nande may be recovered.

Xia Zongwei said that after the criminal case of Nande is concluded, Nande Group will officially enter the office.

The cover journalist found in official website, Hubei Higher People’s Court that the criminal complaints filed by Nande Group and Mou Qizhong were filed on October 21, 2015, with the case number (2015) E-Criminal Shenzi No.00185, and the status was still "under trial".

On July 27th, 2016, Xia Zongwei was informed by the court that the retrial appeal of the case had changed the presiding judge. "The president said,’ The case has been filed, please wait patiently’." Xia Zongwei said.

Later, on October 18th, 2016, after Mou Qizhong was released from prison, Xia Zongwei accompanied Mou Qizhong to Gaofa, Hubei Province, and formally accepted the inquiry of the retrial judge.

Then on April 7th this year, Xia Zongwei went to Wuhan again to inquire about the progress of the case, and the judge in charge of the case replied that the case was still waiting for the opinions of the judicial committee.

Previously, on May 30, 2016, Xia Zongwei received the final civil effective judgment of Nande case from Hubei Higher People’s Court.

The cover journalist noticed that the final judgment ruled that Nande Group was not a party to the letter of credit case of Hubei Bank of China and had no direct legal relationship with the letter of credit. The letter of credit advance of Hubei Bank of China was repaid by Hubei Light Industry, and Guizhou Bank of Communications was jointly and severally liable for repayment. The final judgment found that the judgments of the first and second instance in 2001 and 2002 were correct. In the final ruling, the main facts ascertained in the retrial are consistent with those ascertained in the first and second trials.

Regarding the criminal part of the Nande case, in 2000, the Wuhan Intermediate People’s Court ruled that Nande Group and Mou Qizhong were guilty of letter of credit fraud, and sentenced Mou Qizhong to life imprisonment and deprived of political rights for life.

Xia Zongwei said that after the civil retrial has finally ruled that the Nande Group is not the subject of the legal relationship of letters of credit, it is believed that the criminal complaints about the L/C fraud cases of the Nande Group and Mou Qizhong based on the same legal fact will soon be legally and fairly ruled.

If the criminal complaint can be closed normally, it also means that Mou Qizhong may be able to recover many assets of Nande, such as the 264 houses that Nande Group bought in Mentougou District in that year, which were auctioned by several different courts after being arrested in Mou Qizhong. The 10-square-kilometer plot that was approved when Nande Group developed Manzhouli, and so on.

For the future, Mou Qizhong still firmly believes that Nande has had two experiences of starting a business empty-handed, and a new round of experiments in Nande will begin, and Nande can still set sail as scheduled.

Domestic War Movies 2.0 Era: Deconstructing the Artistic Value from the Perspective of New Creation

The three films, The Great Cause of Building the Army, The Battle of the Dragon and Wolf Warriors 2, have their own unique perspectives.

Special feature of 1905 film network Military has always been one of the fundamental forces of a country, while war often bears important historical significance. 2017 coincides with the 90th anniversary of the founding of the People’s Liberation Army of China, and a number of domestic films with military and war themes are released in cinemas one after another at the special time near August 1st. The stories told in these films span over a hundred years and have completely different styles, but they all have their own unique perspectives in the choice of artistic creation.

 

Whether it’s a little-known "new story" that has been put on the screen for the first time, a "new face" that restores youthful and passionate days of our lives, or a "new technology" that supports the grand scene and makes the film more visually impactful, all kinds of breakthroughs have helped domestic war movies stand on a brand-new height in this burning summer file and ushered in their own 2.0 era.

Zhu Yawen, a young actor in "Building the Army", plays Zhou Enlai.

New faces restore the history of youth and blood, rationally adapt and enhance the charm of genre films

 

As the final work of the trilogy of the founding of the People’s Republic of China, The Great Cause of Building the Army has chosen a completely different route in creation: giving up the more "safe" mature cast and boldly using young actors. These new faces have their own "flow" and "topicality", but they are also burdened with more controversy and doubt.

Liu Weiqiang insisted that "youth cannot perform"

But director Liu Weiqiang has always insisted on the idea that "youth can’t perform". After all, in the successful year of Nanchang Uprising, Mao Zedong was 34 years old, Zhou Enlai was 29 years old, He Long and Ye Ting were both 31 years old, the oldest Zhu De was only 41 years old, and the youngest Su Yu and Lin Biao were only 20 years old. When we see these young faces on the big screen, we can more intuitively appreciate the courage shown by our ancestors when they faced the major choices of revolution and the future. This kind of unrelenting youth and blood bring people shock, which can’t be given simply by acting.

 

The strong starring lineup has always been the characteristic of the "trilogy of the founding of the People’s Republic of China". In addition to the influence of actors, "Building the Army" also explores the content of the script, hoping to further enhance its appeal as a genre film through fascinating plots. As a mature commercial film director, Liu Weiqiang, together with producer Huang Jianxin and others, created a new role for the "Nanchang Uprising" within the scope of reasonable adaptation, and used him as a breakthrough point to detonate the tense confrontation atmosphere between the Kuomintang and the Communist Party. Let this already thrilling battle be more artistic and ornamental after being put on the big screen.

 

The rational adaptation of this artistic level, the costume action blockbuster "Battle of the Dragons" has also been tried. In the movie, Feng Xiangxian, the son of national hero Feng Zicai, is an original figure. Through this side story, The Battle of the Dragons not only depicts the father-son relationship between Feng Zicai and his beloved son, but also shows Feng Xiangxian’s bravery and bravery as a new generation of "elite troops", enriching the characters’ images, and even "achieves" the climax of Feng Zicai’s painful death of Feng Xiangxian in the latter part of the film.

The Battle of the Dragons is famous in Feng Zicai.

Develop ideas, explore new creative breakthrough points and play a role in the complexity of Mexican human nature

 

The Battle of the Dragons is the only war movie with a costume theme among several movies. The film is adapted from the famous "Great Victory in Zhennan" campaign in China’s modern history: in 1883, the Sino-French War broke out, when the Qing army was losing ground. In 1885, the French army invaded Guangxi from today’s Vietnam, and the Qing government used Feng Zicai, a 67-year-old veteran who had been demobilized, to lead the army against foreign enemies. With extraordinary courage and strategy, coupled with the indomitable resistance of the military and civilians, Feng Zicai finally led the Qing army to defeat the French army and won an "impossible victory" war, which is known as "a great victory in the town". This campaign fundamentally reversed the Sino-French war situation and added a lot of color to China’s modern history of anti-aggression.

Feng Zicai led the extraction army against the invaders.

All of us who know the history know that "the town is a great success", and Feng Zicai, a national hero, is famous abroad. But this important battle of great significance in the history of modern anti-aggression is presented on the big screen for the first time. By opening up a new historical theme and with the help of film art, Battle of the Dragons shows the mainstream thought of China’s current cultural self-confidence. While carrying forward the national spirit and establishing the subjectivity of the national spirit, it also gives a rare rational communication to our complex mentality of fierce collision between backwardness and progress in modern humiliating history.

 

In the past, domestic war movies always focused on the whole theme, and rarely touched on the description of "people" under individual units. With the development of the times, our creative style is constantly changing. Nowadays, the "individual" has begun to occupy an increasingly critical position in domestic war-themed works. In addition to simply creating characters, creators have also begun to pay more attention to the "human complexity" of characters.

 

Feng Zicai in Battle of the Dragons is a national hero who bravely fought against the French invaders, but combined with the atmosphere of the historical environment, this veteran is also a full-fledged tragic figure. At an advanced age, he had to fight with his bare hands against the strong French-French tough guy, and at the same time he had to lead the extraction army of the short-staffed Major General to face the invaders who were strong in Ma Zhuang … … These plots can not only reach the audience better, enhance the emotional connection between the audience and the characters, but also make the characters more multifaceted and three-dimensional. Wolf Warriors 2 also spent a lot of ink on the characters. Apart from the steely military will of Lengfeng, we can see that he is helpless and fragile when suffering from illness, persistent and single-minded when facing love, and full of blood when helping his compatriots, all of which make this role more attractive.

Wolf Warriors 2’s hardware and equipment upgrade

New technology supports the production of special effects and large-scale scenes to explain military affairs and war from multiple angles.

 

With the continuous development of the industry, the demand for the quality of works in the market is increasing day by day, and the production level of war films naturally needs to be upgraded simultaneously. Special effects scenes are an important part of most military and war-themed works. In the past, we all talked about the visual and sound effects of "five hairs", and the backward technology and lack of funds were the root causes of these regrets.

The domineering fire dragon produced by the special effects of Battle of the Dragons ignited the momentum for the decisive battle.

When this theme began to gain more and more recognition in the film market, the production of the work gradually entered a virtuous circle. With more financial and technical help, Jason Wu was able to find an international team to make special effects and design actions for Wolf Warriors 2, and at the same time upgrade the hardware to the level of tanks, helicopters and warships. In the battle of the dragon, the domineering fire dragon produced by special effects ignited the momentum for the decisive battle, and the design was ingenious and had a visual impact. Liu Weiqiang filmed the important war scene of "Battle of Sanheba", which created a record of 200 explosion points in a single shot.

 

Of course, the shock of war scenes and the amazing production of special effects are important for a military and war film, but they are by no means all the values it pursues. Every work and the creator behind it are exploring the spiritual connotation and the pulse of the times through historical events and stories.

The great cause of building the army leads the audience to relive history

As a tribute film for the 90th anniversary of the founding of the People’s Republic of China, The Great Cause of Building the People’s Republic of China leads the audience to relive this period of history and remember the ancestors who bled and sacrificed for the revolution by presenting such major events as the April 12th counter-revolutionary coup, the Nanchang Uprising, the Battle of Sanheba and the joining forces in Jinggangshan. In the new era, the special forces cold front used the thrilling story of African evacuation to interpret the connotation of the times that "those who commit crimes against China will be punished far away"; The historical background of The Battle of the Dragons is quite special. We have left too many humiliating memories in the history of modern anti-aggression. This tragic and cruel battle against foreign aggression will always remind us that we yearn for peace but always remember history.

China’s box office suffered from "Waterloo": domestic films lacked intensive cultivation.

  According to the data of the National Film Fund Office, the national box office revenue of National Day movies this year was 1.567 billion yuan, which was 15.3% lower than the record of 1.85 billion yuan in 2015, showing the first negative growth in the box office of National Day movies in recent years. According to statistics, the total box office of this year’s summer file was 12.4 billion yuan, which was basically the same as that of the same period last year, but the total box office of domestic films was about 4.7 billion yuan, which was about 3.2 billion yuan lower than that of 7.9 billion yuan in the same period last year, down nearly 40%.

  According to industry experts, the core reason for the box office "Waterloo" is the lack of "artisan spirit" in domestic films, and there is an extreme lack of well-made domestic "phenomenal" blockbusters this year. In recent years, the entry of a large number of hot money has also led to the impetuousness of the film market.

  Funds have entered the film industry in a big way.

  In 2014, Internet companies entered the film industry in a crazy and comprehensive way with the help of capital. From the previous small fights to the overall layout of the industrial chain, Internet companies rushed to enter the film industry.

  According to the data of the Film Bureau of the State Administration of Press, Publication, Radio, Film and Television, 40% of the 29.6 billion box office in 2014 was contributed by the sales of Internet e-commerce platforms, which was 60% higher than that in 2013. Since then, the mode of internet and e-commerce network sales and online seat selection has begun to deeply affect the cinema business.

  "The Internet economy enters the film industry, starting with sales. ‘ which started to rise in China in 2009; Group purchase ’ The website has become the first step into the film field. " Liu Jia, a film industry and market research expert and film publisher, told the Economic Information Daily reporter.

  In 2014, the comedy "Heart Flower Road Release" was released and shown in the National Day file, and the ticketing cooperation between the film producer and the "Cat’s Eye" online sales platform became a landmark event for Internet companies to move from sales to distribution.

  According to Wang Yibing, the producer of "Heart Flower Road Release", the cooperation between film and e-commerce is the exclusive pre-sale of movie tickets in "Cat’s Eye". The initial expectation is to sell 2 million tickets, with an income of about 670 million yuan. Finally, the pre-sale amount of 103 million yuan was actually completed.

  Because "Cat’s Eye" pre-sold the film with a box office of 100 million yuan before the release of "Heart Flower Road", it made the film burst in the National Day file and finally earned 1.164 billion yuan at the box office, becoming the biggest winner of the National Day file. "The significance of this case lies in ‘ Cat’s eye ’ The pre-sale model has been verified by the actual market and achieved a successful Internet distribution model. " Wang Yibing said.

  Cheng Yun, deputy editor of China Film Publishing House, analyzed the advantages of internet-based film distribution: the pre-sale box office model of online ticketing website can estimate the box office a priori; Can help the cinema to share the sales pressure, and even arrange all the tickets in the future; You can also get some subsidies and promotion resources from online ticketing websites.

  "In addition, the ability of traditional film distribution companies to attract advertising sponsorship is limited, and the Internet can maximize the aggregation of resources. Therefore, ‘ Blockbuster+advertising brand sponsorship ’ The bundled marketing model has become the standard for Internet distribution. " Class into a cloud said.

  The Internet has not only tried in the film distribution, but also broadened the channels for the film industry in terms of investment and financing. Shan Wanfeng, the training director of the film network, said that the film industry, as a creative industry, has fierce market competition and investment risks are difficult to control. In addition, it has no fixed assets that can be mortgaged, so financing is naturally relatively difficult. With the gradual deployment of BAT in the film industry, Internet capital has entered the film industry in a big way, and the combination of film crowdfunding and film and financial capital has gradually become the norm. More and more film companies choose to marry financial institutions to solve the capital problem in the production process.

  In July 2016, Alibaba Pictures Group announced the establishment of a cultural industry fund with a target of 2 billion yuan, which became another landmark event of the Internet giant Nuggets film industry. In August this year, China films, Shanghai films and Happy Blue Ocean concentrated on the A-share market, which also reflected the enthusiasm of marriage between film industry and capital.

  Capital "Kidnapping" Film Creation for Profit

  After the entry of various capitals, the movie ticket market quickly copied the "burning money" model of market expansion such as taxis and takeaways. In the process of the Internet’s deep involvement in the film industry, its methods have gradually developed from low-price promotion to large-scale "ticket compensation".

  Experts in the industry said that in the era of group buying, the low ticket price was still limited to lower than the non-member price of cinemas, but in the period of online seat selection, e-commerce giants with strong capital as the background fought a price war, and online ticket sales ranged from 9.9 yuan to 19.9 yuan to 6.8 yuan and 3.8 yuan. There has been an influential advertising slogan about selling movie tickets online: "There is no lowest movie ticket price, only lower".

  First of all, the crowd attracted by the low fare of "ticket supplement" has not cultivated the habit of watching movies. Liu Jia said that attracting moviegoers with ultra-low fares is only a special means to seize market share in a short time. These people attracted by low fares are not real movie consumers. Once the fares return to normal, it is inevitable that they will leave. Cultivating more audiences is a comprehensive project, and ticket price is only one of them.

  Secondly, the low ticket price without lower limit has impacted the cinema membership system. The design of each cinema membership system is based on the lowest ticket price of the issuing company, and online sales have a "ticket supplement". It is impossible for cinema members to buy tickets lower than that of 9.9 yuan on the Internet, so the carefully established membership system of the cinema will collapse. Not all cinema operators can feel the sense of crisis brought by e-commerce. Once the cinema relies on the e-commerce sales model, it not only loses the initiative of operation, but also the autonomy and characteristics of the cinema.

  According to industry experts, the sale of ultra-low-priced tickets on the Internet can be very popular, which has a lot to do with the fact that China’s film industry is in its infancy. However, this kind of low-cost exchange of people to lock in the theater ostentation and extravagance has brought about a serious overlap and high homogeneity of the screening market in China. Due to the lack of development of film consumption for audiences over 35 years old, the mainstream audience tends to be younger, and the entry of the Internet intensifies the division between "hot and cold" schedules in the film market and the homogenization of cinema management.

  Li Chun, an associate professor at the Film Institute of the Art Research Institute of China Communication University, said that the biggest drawback of the film market at present is "homogenization" — — Homogenization of products, distribution and projection.

  Throughout this summer’s summer file, the film types are mostly limited to the content that domestic films are good at controlling: "light movies" with themes such as youth, campus and love, and the audience has been aesthetically tired. On the whole, this year’s summer movies failed to achieve the expected effect of activating summer movies, and the supply-side reform of China’s film industry has a long way to go.

  Xiang Zhongping, a professor at Zhejiang Media College, said that in 2015, when the box office was at its peak, there were as many as 2,904 films submitted for record, more than 600 films were licensed and only 300 films were released. The large number of films, flat quality, weak appeal and communication competitiveness have become a major pain point for domestic films.

  When the internet entered the film industry, it extended from testing the water to attacking the city and seizing land on a large scale, and the characteristics of crazy profit-seeking of capital became increasingly apparent. Many experts in the industry pointed out that the film market in China is extremely noisy today. It is an indisputable fact that the Internet, listed companies, private capital and other fields have flooded into the film market, and the capital is holding and kidnapping China films, and the films have become financial derivatives to a great extent.

  Zhou Xing, a professor at Beijing Normal University, said that the result of many "hot money" entering the film market in recent years was to quickly ripen this market that was still in its infancy. The phenomenon of data fraud and buying box office occurs from time to time. There are fewer people talking about stories in the film and television industry, but there are more people talking about money and financing. Capital entering with the purpose of "making quick money" is likely to interfere with the production of film content, thus damaging the healthy development of the film industry.

  In 2016, the release and screening of ip man 3 triggered a modest "earthquake" in the industry. Ip man 3, led by Kuailu Group, adopted the so-called "internet plus Finance+Movie" operation mode, which pushed the long-standing gray deviant behaviors such as "stealing the box office", "buying the box office", "ghost field" and "cashing in the capital market" to the extreme, and finally exposed bankruptcy.

  According to the official notification of the Film Bureau of the State Administration of Radio, Film and Television, the film has a fake box office of 32 million, and the film has bought a box office of 56 million. The film bureau has given corresponding punishment to 20 cinemas and 73 cinemas under its control.

  The famous director Xiaogang Feng said that a few years ago, a lot of "hot money" entered the film industry, and the development speed of domestic films was really very fast. This has brought new ideas to the film industry, but it has also brought many amateurs. Movies are not entirely business. If you read them completely according to business, you will read them askew.

  "Content is king" is irreplaceable.

  In 2015, China’s film industry has secured its position as the second largest film market in the world. However, due to the lack of supporting and exemplary benchmark works, the 2016 summer file failed to continue to write the summer box office miracles of phenomenal films such as monster hunt, Pancake Man and Return of the Great Sage in 2015.

  According to statistics, in July this year, the total box office of cinemas nationwide was about 4.515 billion yuan, up 17% from the previous month and down 18.2% year-on-year, which was the first negative growth in the summer box office of movies in the past five years.

  Recently, Alibaba Pictures issued a profit warning, and the net loss in the first half of this year exceeded 400 million yuan. Although it has been two years since its establishment, Alibaba Pictures has still not given a perfect answer in the field of film and television production. The large loss in performance led to the decline of Alibaba Pictures’s share price. As a representative of cross-border entry into the film industry, Alibaba Pictures relies on the big tree of the parent platform, but it has not been successful in content creation.

  Industry experts pointed out that the direct reason for the year-on-year decline in box office this year is the "ebb tide" of ticket purchase subsidies. "Ticket supplement" is an important factor in the rapid growth of box office in recent years, and reached its peak in the summer of 2015. At the beginning of this year, the resource integration of major online ticketing platforms tends to be stable, the "ticket compensation" is reduced, the overall fare is rising, people’s consumption habit of relying on subsidies is broken, and new audience groups attracted by low fares are lost.

  In January this year, the State Administration of Press, Publication, Radio, Film and Television specially convened a national film market management conference to carry out a 100-day special campaign to control the film market, focusing on solving the problems of inaccurate box office statistics, evasion and concealment, illegal recording and broadcasting of films, infringement of film copyright and poor screening quality in some cinemas. In the process of standardizing the market, the film "ticket compensation" is gradually reduced, squeezing out the bubble and making the market order more standardized.

  In addition to the reasons for the decrease in "ticket compensation", experts pointed out that the core reason for the decline in box office is the lack of "artisan spirit" in domestic films, and there is also an extreme lack of well-made domestic "phenomenal" blockbusters this year.

  From the word of mouth, more than 90 movies were released this summer, exceeding the total number of movies in the second quarter of last year, but the box office word of mouth has been weak. According to Aiman data, the average word-of-mouth score of new films released in the summer of 2016 is about 5 points. Among them, among 73 domestic films and co-productions, 42 are below 5 points, which means that the favorable rate of more than 57% domestic films is below the average.

  Liu Jia said that despite the obvious advantages of the Internet platform, it still cannot change the law of the film industry — — Creativity and content are king, and it cannot change the core values of the film industry. What the audience experiences when they enter the cinema is a kind of cultural connotation, and the spiritual value and cultural value created by the film itself cannot be created by the Internet.

  At the 19th Shanghai International Film Festival in June this year, internationally renowned director Ang Lee pointed out that China films should avoid two traps: grabbing money and following the trend. "It’s a good thing to stir up the movie, but we have to be aware of it. In the end, the audience looks at the quality that impresses them. The audience doesn’t watch MTV, he watches himself for two hours. Movies must have something to do with emotions, thoughts and feelings. It doesn’t matter whether the movie has technology to show off, as long as it talks about people’s hearts, it will get a response. "

2022 The 5th China (Huangshi) Industrial Internet Innovation and Development Conference will be held on November 12th.

  

  Cctv news In order to implement the decision-making arrangements of the CPC Central Committee and the State Council on the innovative development strategy of industrial Internet, we will thoroughly implement the Action Plan for Innovative Development of Industrial Internet (2021-2023) of the Ministry of Industry and Information Technology and the Three-year Action Plan for Innovative Development of Industrial Internet in Huangshi City (2021-2023), vigorously promote the upgrading and deepening of innovative applications of industrial Internet, and transform and upgrade the industry with digital empowerment. To help Huangshi build a national advanced manufacturing base and a national highland for industrial Internet innovation and development, Huangshi City, Hubei Province will hold the fifth China (Huangshi) Industrial Internet Innovation and Development Conference on November 12, 2022.

  With the goal of promoting the empowerment of the industrial Internet platform, this conference will set up a series of activities such as summit forums, special forums, special supply and demand meetings, special research and online and offline exhibitions, and invite academicians and experts in the field of industrial Internet, representatives of think tanks at home and abroad, leading enterprises, industrial Internet platforms and representatives of manufacturing enterprises to attend the conference. Focusing on issues such as technological innovation breakthrough of industrial Internet, deepening platform application, empowering digital transformation and upgrading path of manufacturing industry, and digital development of regional industries, we will build consensus and make suggestions for promoting industrial Internet innovation and high-quality development of manufacturing industry.

  Huangshi is the cradle of modern national industry and an important old industrial base in the central region. It has a long history of industrial civilization, a solid industrial foundation and a complete range of industries. In recent years, Huangshi has actively seized a new round of industrial revolution, the rise of the Yangtze River Economic Belt and the central region, and the development of Wuhan metropolitan area, and issued a series of policies and measures, such as the Three-year Action Plan for the Innovation and Development of Industrial Internet in Huangshi City (2021-2023) and the Work Plan for Accelerating the Intelligent Transformation of Diagnostic Services in Industrial Enterprises in the City, and vigorously supported the innovation and development of industrial Internet and the intelligent transformation of enterprises.

  China (Huangshi) Industrial Internet Innovation and Development Conference is one of the important measures for Huangshi to conform to the trend of science and technology and the change of the times, accelerate the building of an advanced manufacturing city, and create a pioneering area for industrial Internet innovation and development in China. Since the first conference was successfully held in 2018, it has been widely concerned and participated by industrial partners in the field of industrial Internet. The conference successfully introduced a group of expert resources and attracted more than 100 industrial Internet companies to gather in Huangshi. It has contributed to the landing of many think tanks and the signing of a number of industrial Internet cooperation projects, and has become an influential national industrial Internet industry exchange and cooperation platform in China.

Lexus RX in Dongguan is on sale, and the latest offer 375,000! If you miss it, there is no

[Autohome Dongguan Discount Promotion Channel] The good news is that the high-profile luxury SUV model is setting off a eye-catching price reduction storm. At present, this luxury model is on a large-scale discount promotion in Dongguan, and you can enjoy a car purchase discount of up to 30,000 yuan. The minimum starting price has been adjusted to 375,000 yuan, bringing real benefits to consumers. If you want to seize this rare car purchase opportunity, don’t miss it. Click "Check the car price" in the quotation form to get a higher discount range and start your luxury driving experience journey.

东莞地区雷克萨斯RX特价出售,最新报价37.5万!错过就没有

As a luxury SUV, the Lexus RX is known for its unique design concept and exquisite craftsmanship. Its front face design is very recognizable, with the iconic spindle-shaped air intake grille of the Lexus family, and with sharp LED headlights, it shows the perfect combination of power and elegance. The body lines are smooth, outlining a strong sense of sports, and the overall style is both luxurious and modern. It is a luxury travel partner in urban life.

东莞地区雷克萨斯RX特价出售,最新报价37.5万!错过就没有

The Lexus RX features a unique profile with its streamlined body design. The body size is 4890mm*1920mm*1695mm and the wheelbase is up to 2850mm, providing passengers with a spacious and comfortable interior space. The refined side lines show the combination of elegance and power, and the front wheels are equipped with 235/60 R19 tires, and the dynamic rim design further enhances the overall visual effect.

东莞地区雷克萨斯RX特价出售,最新报价37.5万!错过就没有

The interior design of the Lexus RX highlights the fusion of luxury and sophistication. The spacious cockpit uses a leather-wrapped steering wheel to provide excellent grip and comfort, and supports electric up and down + front and rear adjustments to adapt to the different needs of the driver. The central control area is equipped with a 9.8-inch high definition central control screen, equipped with rich multimedia, navigation and phone functions, as well as air conditioning controls, which is easy to operate and full of technology.

In terms of seats, both the front and rear rows are made of imitation leather, and the cushions and backrests are carefully designed to support front and rear adjustment, backrest adjustment and height adjustment. Some seats are also equipped with waist support to provide passengers with a full range of comfort. The second row of seats also supports backrest adjustment, while the proportional rear seats provide flexible options for loading space. The overall interior design combines practicality and luxury, making every drive a pleasure.

东莞地区雷克萨斯RX特价出售,最新报价37.5万!错过就没有

For the engine of the Lexus RX, it is equipped with a 2.5L displacement L4 engine, with a maximum power of 139 kilowatts and a maximum torque of 241 Nm. This powertrain is matched with an E-CVT continuously variable transmission, providing the driver with a smooth and efficient power output.

Summarizing the owner’s evaluation of the Lexus RX, he said that his favorite is not only its simple and dynamic appearance design, but also the combination of supersonic quartz white paint and black large mouth air intake grille highlights the domineering and delicate Lexus. He particularly praised the smooth body lines and the noble sense of rear design, and the recognition of the taillights is a plus. The owner’s comprehensive appearance evaluation of the Lexus RX is undoubtedly a high affirmation of the Lexus brand design concept.

Chen Xiaoyi falls in love with small 8-year-old director. Two people kissing in the car are photographed (Photos)



Chen Xiaoyi and Xu Ang are kissing in the car.



Chen Xiaoyi and Liu Huining got married in 1998.


   Have a tryst for three days in a row


  After the Spring Festival last year, the drama Lotus written by the famous screenwriter Zou Jingzhi was staged in capital theatre. Chen Xiaoyi not only played the leading role, but also had a tryst with the handsome young director Xu Ang for three days and didn’t go home until the early hours of the morning. At the last night, he couldn’t help kissing in the street, and his intimate relationship was obvious. While Chen Xiaoyi was having frequent trysts with this handsome guy, her husband, director Liu Huining, was filming a new play in Hongkong.


  In-car kiss exposure


  Xu Ang is a "future star" of Beijing People’s Arts, older than small 8, Chen Xiaoyi.


  Last year, Lotus, which they collaborated with, was a success. This year, they "hand in hand" Playground again.


  During the first few days of rehearsal of Playground, Chen Xiaoyi always went home on time, but one night she drove alone to the teahouse where she met Xu Ang last year. At about 1 am, the reporter saw Chen Xiaoyi and a woman walk out of the teahouse, while Xu Ang followed Chen Xiaoyi. After going out, Chen Xiaoyi and Xu Ang stood side by side and waved goodbye to their friends. Then they got on the bus in Chen Xiaoyi together. The bus arrived in front of an apartment near Tonghui River. Xu Ang kissed Chen Xiaoyi, and then Xu Ang got off and walked into the apartment. But when Chen Xiaoyi left, Xu Ang walked out of the apartment again. He first bought something in the supermarket in front of the apartment and then left by taxi.


  □ correlation


  It is said that Chen Xiaoyi has separated.


  Chen Xiaoyi met and fell in love with Liu Huining when filming the TV series Old House in 1997. A year later, they got married. In 1999, Chen Xiaoyi gave birth to a son for Liu Huining.


  They are regarded by many viewers as model couples in the entertainment circle. Some insiders revealed to reporters that Chen Xiaoyi has a fiery personality and is uncompromising at home, while the honest and honest Liu Huining has been patient with her for many years. Last year, the two separated; Although the relationship between Chen Xiaoyi and Xu Ang was also semi-open, Liu Huining still held a tolerant attitude and hoped that his wife would change her mind. The source also revealed that Liu Huining had been in poor health, and with much work last year, he seemed to have a heart attack. Chen Xiaoyi’s apartment security guard told reporters that Chen Xiaoyi lives here with her mother, sister and son. They used to see Chen Xiaoyi’s husband often, but now they seem to have gone out to live and come back only two or three times a month. The car management in the basement of the apartment also told reporters that the Land Rover Jeep that Chen Xiaoyi’s husband usually drives is rarely seen now.


  □ Response


  Liu Huining denies divorce.


  On April 9th, it was reported that Chen Xiaoyi fell in love with Xu Ang, a drama director older than small 8, and separated from Liu Huining, the director’s husband, for many days, and the marriage had come to an end. On this matter, Chen Xiaoyi’s husband, director Liu Huining, said that at present, everything is fine with Chen Xiaoyi, and the scandal between Chen Xiaoyi and Xu Ang may be a hype. In addition, he denied the rumor that he was separating from Chen Xiaoyi, and said that the news that his health had deteriorated was "inexplicable".


  Meanwhile, the reporter tried to contact Chen Xiaoyi, but her cell phone was always unanswered.


 

Editor: wangxin

[Network China Festival Lantern Festival] Reading the customs of Lantern Festival in ancient and modern masterpieces

  Today is the fifteenth day of the first month of the year of Jihai, which coincides with the traditional Chinese Lantern Festival. The first month is the first month of the lunar calendar. The ancients called "night" "night", so the fifteenth day of the first full moon in a year is called the Lantern Festival. Since ancient times, the Lantern Festival has become a favorite theme of literati because of its important cultural connotation, and the folk culture about the festival can also be seen in various excellent works.

  Watching the moon and lanterns

  Cui Ye, a poet in the Tang Dynasty, said in a poem: "Who can sit around when he sees the moon, but he can’t smell the lights." Tang Bohu, a gifted scholar in the Ming Dynasty, once said: "A moon without lights is not entertaining, and a moon without lights is not spring." It can be seen that watching the moon and lanterns is an important custom of the Lantern Festival, so the Lantern Festival is also called the Lantern Festival.

[Network China Festival Lantern Festival] Reading the customs of Lantern Festival in ancient and modern masterpieces

  The writer Shen Congwen once explained the history of watching lanterns during the Lantern Festival in the article "Lights of the Lantern Festival": "Lantern Festival is mainly about watching lanterns. Watching lanterns has become a system, which seems to have been mentioned in "Jing Chu Sui Ji". The more specific records actually began in the early Tang Dynasty and developed in the Song Dynasty, and the source came from the Han Dynasty. " The custom of "hanging lanterns" on the Lantern Festival has been passed down to this day.

  "wahoo silver flowers, star bridge iron lock open. Dark dust goes with the horse, and the bright moon comes one by one. " Su Weidao, a poet in the Tang Dynasty, wrote the widely circulated fifteenth night of the first month, which vividly depicts the charming picture of the bright lights of midnight snack and people enjoying the moon and traveling happily. "Jin Li Fang Yan, Lan Hongyan in his early years. The color is far away, and the light is far away. After the Chinese suspect that the stars are falling, the building is like a moon hanging. Don’t have a thousand golden smiles, to reflect the nine branches. "Lu Zhaolin, one of the four outstanding figures in the early Tang Dynasty, wrote a poem" Watching Lights at Fifteen Nights ",which made the colorful Lantern Festival lights unique and brought people into an intoxicated fairyland.

  "Lantern Festival is decorated with lanterns everywhere, and the whole street is like a wedding, blazing and beautiful. Hundreds of lamps are hung in famous old shops, some of which are all glass, some are all horns, and some are gauze lamps. Some are of various colors, and some are all painted with all the stories of A Dream of Red Mansions or Water Margin. Put up sky lanterns in the park and fly to the sky like a superstar. Men and women come out to step on the moon, watch lights and watch fireworks. " Writer Lao She described the jubilant scene of the Beijing Lantern Festival after the founding of New China in the article Spring Festival in Beijing.

trotting horse lamp

trotting horse lamp

  The lantern is just a kind of lantern. The appearance is mostly palace lantern-shaped, because many pictures of ancient military commanders riding horses are drawn on all sides of the lamp, and when the lamp rotates, it looks like several people are chasing each other, so it is named the lantern. The merry-go-round is especially popular with the people. In the chapter "The Problem between Father and Son" in My Autobiography of Mind, the writer Zhou Guoping once said: "When I was in primary school, my father was only in his thirties, and he still had a lot of fun in life. Every year on the Lantern Festival, he will personally make an exquisite lantern, draw different watercolors on all sides of the paper screen and hang them in the house. As soon as the electric light is on, the paper screen rotates, which surprises me. "

  Dance dragon lantern

[Network China Festival Lantern Festival] Reading the customs of Lantern Festival in ancient and modern masterpieces

  Dragon lantern dance is also one of the important folk customs of the Lantern Festival celebration. The earliest recorded dragon dance was Zhang Heng’s "Xijing Fu" in the Han Dynasty. The author vividly described the dragon dance in the description of hundreds of plays. According to the Records of Music in Sui Shu, Huanglongbian, which was similar to the dragon dance performance in hundreds of plays during Emperor Yangdi’s reign, was also very wonderful, and the dragon dance was popular in many places in China. The Chinese nation advocates dragons and regards them as auspicious symbols.

  "My hometown is a small county town with less than 10,000 residents on the edge of Xiangxi, but the lion dragon lantern fireworks were very famous in various counties in Xiangxi half a century ago." Shen Congwen wrote in Shen Congwen’s Collected Works that "the first day to the twelfth day is called" sending lights ",but the whole city is playing with gongs and drums everywhere. During the day, there are many gongs and drums to perform water games on the bridge head, or to hover up and down on eight or nine square tables; In the evening, I play clam shell essence under the lights and accompany it with fine music. Thirteen to fifteen are called "burning lanterns", and the main competition turns to the other hand to see who has outstanding fireworks. "

  "Burning dragons with steel" is a large-scale folk activity of Lantern Festival in western Hunan, and it is an important ritual and celebration to pray for good weather and good harvests. The so-called "steel fire dragon", that is, the steel fireman lit the steel flower, raised the long bamboo clip over his head and violently sprayed it at the dragon body. In the night sky, the orange-red steel flowers rush out, and the stronger the sparks, the happier the dragon dancers are.

  Ba Jin also described in his work Home that the hero mentioned "burning dragon lanterns" during the Lantern Festival: "On the night of the Lantern Festival, the weather is very good. There are several shining stars and a few white clouds in the sky, and a full moon is embedded in the blue sky like a jade plate. That night, as usual, everyone worshipped God and finished the ceremony quickly. Chueh-ying took Chueh-qun to the street to watch people burn dragon lanterns. "

  solve lantern riddles; guess riddles on hanging lanterns

  Solve riddles on the lanterns, also known as playing riddles, is a traditional activity of the Lantern Festival. Lantern riddles originated from riddles in the Spring and Autumn Period and the Warring States Period. The riddle hung on the lamp for people to guess and shoot, which began in the Southern Song Dynasty.

  In the Southern Song Dynasty, Zhou Mi’s "Old Wulin Lamps" recorded: "When writing poems with silk lanterns, it contains ridicule, painting characters, hiding argot and old Beijing slang, teasing pedestrians." On the Lantern Festival, the emperor city stays up all night, and the people enjoy the lantern festival in spring night. Poems and riddles are written on lanterns, reflected in candles, and listed in the thoroughfare, which is called "lantern riddle".

[Network China Festival Lantern Festival] Reading the customs of Lantern Festival in ancient and modern masterpieces

  Nowadays, because the production of lanterns is time-consuming and laborious, riddles are mostly written on hanging notes. Every Lantern Festival, riddles are played everywhere, hoping to be happy and safe.

  "solve riddles on the lanterns is quite painstaking and interesting." Liang Yusheng, a writer, once wrote in his anthology that he especially talked about two riddles: one was "Japanese surrender" in the early days of the liberation of the mainland, and guessing ancient celebrities, the answer was originally "Su Wu", but many people guessed "Qu Yuan". The "original" is also the atomic bomb. Some people guess "Li Shimin" with a hat box, which means that Japanese surrender is the strength of the people of the world. This is an "old joke". The other is a lantern riddle during the Cultural Revolution. The riddle is "It’s impossible to steal when you hear the first step", and Zhuge Liang used the Romance of the Three Kingdoms to discourage Zhou Yu from taking the story of giving up to Mao Zedong’s poems, marking "bending over the waist". The answer is "Ask WU GANG what he owns", and the word "Gang" is changed to "Ask Wu what he owns", which means asking Wu how he has the power to go in and take Xichuan. This riddle was originally well done, but at that time it was criticized for committing the crime of "irreverence" on the grounds that how could Chairman Mao "bend his back"? It’s ridiculous.

  Send a child lamp

  Sending children’s lanterns, also known as sending lanterns for short, means that before the Lantern Festival, the bride’s family sends lanterns to her newly married daughter’s home, or ordinary relatives and friends give them to the newly married infertile home, in order to add good luck, because "lamp" is homophonic with "Ding".

  "Our hometown is in Nanhou Street, Fuzhou. The customs of Fuzhou and the lanterns played by children during the Lantern Festival are all given by my grandmother. " Bing Xin, a writer, mentioned this custom in his article "Talking about the New Year". Bing Xin also expressed her pride in owning Three Lamps District in the article: "My grandmother gave us four brothers and sisters five lamps! My younger brothers are much younger than me, and they are not good at playing, so I took advantage of them at this moment. The one hanging on my wall is ‘ Three British wars Lu Bu ’ My lantern, with a goldfish lamp with moving eyes in one hand and a rabbit lamp that can walk on the ground in the other, feels very proud. "

  Men and women are engaged

[Network China Festival Lantern Festival] Reading the customs of Lantern Festival in ancient and modern masterpieces

  "Find him thousands of baidu in the crowd. Suddenly looking back, the man was there, and the lights were dim. " Xin Qiji, a poet in the Southern Song Dynasty, is well-known for his "Jade Case Yuan Xi". At midnight snack, among the lights, young men and women meet by surprise after hard pursuit. In ancient times, Lantern Festival provided an opportunity for unmarried men and women to get to know each other, and it was also a good opportunity for young men and women to meet their lovers. It can be seen that the Lantern Festival is a festival full of romance.

  Ouyang Xiu, a poet in the Northern Song Dynasty, vividly described the beautiful meeting of couples at midnight snack: "At last year’s Lantern Festival, the flower market was lit like a day. When the moon arrives at the end of the willow tree, people will be around dusk. "

  For this reason, in the contemporary era, many scholars also call the Lantern Festival "Valentine’s Day". Yu Guangzhong, a famous poet, said at the Lantern Festival in 2005: "In the West, Valentine’s Day is February 14th, and our Valentine’s Day is today." When the writer Yu Qiuyu talked about the Lantern Festival, he also wrote: "I always thought it was just the end of the year, but I didn’t know there were so many meanings. This is a carnival festival, a release festival, and also a ‘ Valentine’s Day ’ 。”

  Eat Yuanxiao (sweet dumplings)

  On the Lantern Festival, eating Yuanxiao is definitely an important custom. Eating Yuanxiao on the Lantern Festival was quite popular in the Song Dynasty. The earliest Yuanxiao was called "Floating Yuanzi", and later it was called "Yuanxiao". Businessmen also called it "Yuanbao".

[Network China Festival Lantern Festival] Reading the customs of Lantern Festival in ancient and modern masterpieces

  "Most provinces in China eat Yuanxiao, but the names and practices are different from each other. It is called Yuanxiao in the north, Tangyuan in some places in the south, and Tangtuan and Yuanzi. The names of the north and south are different, and the methods are different. " Mr. Tang Lusun, a self-styled "greedy person", introduced the differences in the production and sale of Yuanxiao in the north and Tangyuan in the south in his essay collection "Sweet, Bitter, Spicy and Salty": "Unlike Shanghai, Nanjing and Hankou, there are shops specializing in Yuanxiao in Beiping, and night snack snacks are attached. Beiping Yuanxiao is a cake shop and a tea soup shop, which are temporarily set up in front of the shops and are now sold. There are several kinds of stuffing, such as hawthorn, jujube paste, red bean paste and black-and-white sesame. First, freeze the stuffing, cut it into big dice pieces, dip it in the water with a big strainer, shake it in a big sieve filled with glutinous rice flour, and then pour it into the strainer and shake it three or two times. Different dumplings are marked with red dots, plum blossoms, and just words, and you’re done. The advantage of this kind of Yuanxiao is that it doesn’t crack when eaten in the mouth, but the disadvantage is that the stuffing is coarse and rough, because it is dry powder, and it is still a little sticky when cooked. The southern Lantern Festival is made by rolling the skin first, filling it with stuffing and then wrapping it up to make it round, so it is called Yaoyuanxiao in the north and Baoyuanxiao in the south. This is the reason. In the south, not only the stuffing is exquisite and smooth, but also the glutinous rice flour is smooth and moist. In addition, there is only one kind of sweet in the north, while in the south, it is sweet and salty, with complete dishes and meat. During the Anti-Japanese War, everyone who had been to the rear area probably ate Lai Tangyuan.It is much better than the hand-cranked Lantern Festival in Lanyingzhai and Minmeizhai in Beiping. "

  Whether it is Yuanxiao or Tangyuan, people are pinning their good expectations for the country, people’s safety and family reunion.

Jiang Wen: After 70, the audience couldn’t understand "The Sun" and were happy to try the New Year film.



  BEIJING, Sept. 29 (Xinhua)-After the carpet publicity of the new film The Sun Also Rises, at the end of September, the director Jiang Wen, who returned from Hong Kong, finally recovered from the uproar. In his "Joy" studio at the east gate of the Forbidden City, Jiang Wen accepted an in-depth interview with the program Phoenix Extraordinary Road, a new phoenix media.


  The box office was not high, and the audience shouted and couldn’t understand it. Obviously, this reality didn’t stimulate Jiang Wen. Sitting in his most familiar studio, he still blinked symbolically, and he was still the radiant Jiang Wen. In fact, he doesn’t think that this "flirting" with the audience has failed. On the contrary, many viewers are "intoxicated" and can’t forget it if they want to. He jokingly said that the current situation is exactly what he wants to see. "The Sun is a fire reconnaissance, which shows me the mentality of the current social crowd."


  Jiang Wen said that he actually loves life, eats well and sleeps well, and is not as tough as everyone thinks. "I can’t be anxious. Being anxious is not a good attitude. When I was young, I was always anxious with others." He even bluntly admired Chris Lee, calling her the Li Tiemei of the new era, and "Fast Man" is a good thing, because "even nannies love to watch it".


  This is a Jiang Wen who is still "energetic". He believes that "strong imagination creates reality" and thinks that director China should abandon the route of blockbusters and stubbornly pursue his own accent. This is a changing Jiang Wen. He has become high-profile, open and secular, and doesn’t mind playing the role of "fashion man" in various magazines to boost the box office.


  The director who only directed three films, but created a strong "personal accent", intervened in the secular world and made peace with it in a softer and more reasonable way when middle age came, in order to fly higher and higher in imagination. He has more possibilities.


  Responding to "I don’t understand": "The Sun" is intoxicating. After 70, people really have obstacles in watching movies.


  The "atypical" success of Sunny Days and The Devil Comes has made people realize that Jiang Wen’s imagination and narrative style are different from those of any director, and gained great reputation. The new film "The Sun Also Rises", a personal dream work, made the audience shout "I don’t understand". Jiang Wen responded by saying that according to his own observation, "infatuation" is the main reaction of the audience. "In my view of film, I forget it halfway through it. I don’t think it can be called a good movie. No one who has watched The Sun at present can forget it. "


  Is there a misjudgment of the taste of the current mainland audience? Jiang Wen denied it. He said that the audience was really crouching tiger, hidden dragon. At present, the audience’s various statements made him very happy. "This is called controversy. Controversy shows that everyone is involved." He even joked that "The Sun" was his own fire reconnaissance. "Through this fire reconnaissance, I probably know what the audience is like now. It is richer than I expected, very high, naive and very naive, and those who twist the bar are very extreme and wide-ranging."


  The only thing that Jiang Wen can’t understand is that it is almost impossible for the post-80s, post-90s and even post-60s people to accept The Sun, but the post-70s people "can’t understand it". He guessed that this generation has neither the purity of the post-generation nor the reserve of the previous generation, and it is this "embarrassment" that caused the obstacles to watching movies. However, he doesn’t mind, "take a train and a car, ride a bike, whatever. You don’t have to fly. A movie will definitely not be caught in the net."


  "The Sun" didn’t win the prize. Jiang Wen: "A film that doesn’t hurt people’s self-esteem is easy to win the prize."


  "The Sun" entered Venice with a high profile, but returned empty-handed. Many people speculated that Jiang Wen would be depressed. Jiang Wen laughed at this. "Just like going to war with you, how can you not die?" Film Festival? I think it is a fair, which can make things more lively. At that time, they asked me, and he said, what if you don’t get one? I said it was more lively, so why not? We can talk about this, it doesn’t matter. So now I think the situation is the best. You don’t have to make a mess, just shave your head, and it’s very cool to shave with one knife. I think this situation is also quite good. "


  Jiang Wen, a former judge of Cannes Film Festival, also revealed his experience. He said that the Cannes Film Festival stipulated that the best film and the best director could not win prizes at the same time, but he and the judges just broke this "heaven rule". Speaking of what kind of films are easy to win prizes, he said meaningfully, "Anyway, films that don’t hurt people’s self-esteem are easy to win prizes."


  Comment on China blockbusters: No blockbusters in China are American patents.


  Jiang Wen uses "accent" to define the existence value of a director. As a director with a strong accent, he appreciates directors Stephen Chow and Wong Kar-wai who have unique accents. He said that China’s film industry is now in the stage of rural urbanization. "I think it is precisely the time when we have the opportunity to speak with different accents and let everyone watch it fully.".


  Speaking of the wave of "blockbusters" in China in recent years, Jiang Wen thinks that there are no blockbusters in China. "If you don’t have a film machine and a film industry, how can there be blockbusters?" Let Americans shoot blockbusters and commercial films. "What do you call Transformers? Don’t say that China people can’t shoot it, and it can’t be filmed anywhere except the United States. There’s no need to feel inferior. Can I shoot in Japan? Can the whole EC shoot? Africa, Oceania, can’t shoot, just this place in the United States. It has more than 100 years of film accumulation, where filmmakers all over the world have accumulated. I am also very willing to succeed in China. Dreams are ok, but they don’t shine into reality! "


  "Change" Jiang Wen: "I have been making up lessons for seven years and I am desperately mature."


  Some media said that before The Sun, Jiang Wen gave people the impression that he was domineering, lofty and difficult to cooperate. When The Sun came out, Jiang Wen seemed to suddenly become amiable. He played a "fashionable man" in various magazines with unusual high profile, and even showed his love and affection with his wife Zhou Yun on various occasions. After the media’s "indiscriminate bombing", Jiang Wen said that the bombing was not enough. "We lack air support, and now we are basically infantry. Air support is to turn the whole street and TV into advertising signboards or something. I think that’s right. " No wonder he envied Zhang Yimou for having Zhang Weiping as a good "propagandist".


  Nowadays, Jiang Wen has to directly face many specific affairs other than movies, and even be responsible for the box office of his own movies, so he said, "I can’t be anxious. Being anxious is not a good attitude. When I was young, I was always anxious with others." He said, "when you go to the United States, you see many people are older children, and his society allows him to do so." When you are 40 or 50 years old, you are out here, and I almost got out several times, just because I matured late. Therefore, I have to make up lessons in these seven years and try my best to mature. "


  "Open" Jiang Wen: Appreciating Chris Lee and "Fast Man" are willing to try New Year movies.


  Jiang Wen is by no means so inaccessible or "awkward" as the outside world imagined. In fact, his attitude towards new things is quite open. He has a special affection for the post-80s young people. In the conversation with the staff after the interview, he modestly exchanged his views on "The Sun" and specially left an email address for everyone to recommend good movie ideas and literary works to him.


  What is even more surprising is that he even revealed in the program that he likes Chris Lee. "Li Tiemei was Chris Lee at that time!" As for the "fast man" who represents pop culture, Jiang Wen also feels good, because the nanny at home likes to watch it. "Our aunt wants to see it, and she doesn’t cook. She said she wants to watch the fast men’s final. I said, I cook and I wash the dishes. I think they are so happy. They are so happy! This is good. People are very involved, very active and very independent in intervening in people they want or like. This is good. "


  He Dong, the host of "Extraordinary Way", asked in the program, is there any problem with making a New Year film with the second part of "The Sun" which is super hilarious? I didn’t expect Jiang Wenlian to say "yes" and "how nice". "I’m actually very good at making movies that make everyone happy from beginning to end. In fact, the devil has been having fun." It seems that director Xiaogang Feng will have an opponent in the future.

Editor: Li Dan

Definition and connotation of culture

I’m glad to answer this question. First of all, let’s discuss what is culture. Everyone can’t help laughing at me. Who doesn’t know the culture? Isn’t it just that they have a certain degree, are knowledgeable, have a broad vision and are rich in humanistic knowledge? What everyone said has some truth, and they also talked about the meaning of culture from different angles.

What exactly is a culture? In short, culture is a general term for the forms of human life elements. Culture is all the spiritual activities and products of human beings relative to economy and politics. Culture is a very extensive and most humanistic generalization, which involves human life elements such as clothing, clothing, culture, things, food, housing and transportation.

Culture covers a large area, which includes knowledge culture (academic culture), traditional culture, scientific culture, management culture, art culture, social culture, social culture and so on. It is a synthesis of various cultures, not just knowledge, experience and rich connotation, but also culture at one level. The ancients said: gold is not full of red, and no one is perfect. Knowledge is the foundation of culture, and learning from many people and hunting for hundreds of people is the high-level realm of culture.

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