标签： 上海桑拿会所

1905 film feature On the occasion of the 90th anniversary of the Oscars, 1905 Film Network and China Film Report, together with 12 senior film critics, launched the Oscar Film Handbook, which will give the most authoritative rating and comments on the nine masterpieces nominated for the best films this year.

This manual can let fans of all departments know for the first time the status of these films in the hearts of professional film critics. I hope to attract more fans and join the annual film festival.What fans are worth looking forward to is that at 7:00 on March 5, 2018, the 1905 movie network will broadcast the grand occasion of the Oscar ceremony live, which is the best gift for fans and also a feast for the giants of the film.

Rule: The Oscar Film Handbook invites 12 senior film critics to rate the nine films shortlisted for the Oscar for Best Film. Each short-listed film is divided into seven items: directing technique, script, art direction, photography, editing/sound effect editing, soundtrack/sound effect editing and performance, with a score of 5 points for each item and a total score of 35 points.

Director: joe wright

Screenwriter: Anthony McCarten

Starring: Gary Oldman/kristin scott thomas/lily james/Ben Mendelsohn

Type: Plot/Biography/History

Producer country/region: UK/USA

Language: English

Chen Shiya, Executive Editor of Global Screen:

Nowadays, it is rare to see a classic and neat but not boring biographical film of the times. From Churchill’s more than 30-day experience of being elected as the British Prime Minister at the darkest moment of human destiny, he not only excavated the historical past that most audiences were unfamiliar with, but also told a gripping story about the dispute between the "main battle" and the "main peace" of British politicians with a narrative full of suspense. Gary Oldman, one of the most outstanding acting actors in the world today, under the realistic special effects makeup, vividly interprets Churchill’s courage and charm as a leader at the critical moment of life and death by listening to his voice but superb performance, which can be said to hold up most of the highlights of the film, and the Oscar for Best Actor is just around the corner.

Sai ren film critic:

The slightly colorful passage, which is also the most naive part of the whole film, is that Churchill shared hatred with the people in the subway. How much public opinion can lubricate the war machine is a big topic worth discussing. The film takes an evasive attitude towards the word profound. Fundamentally speaking, this is a very dry film.

Zhou Liming film critic:

It can be called a companion piece of Dunkirk, and it is also a superb profile piece (not necessarily a biography, because it only focuses on a short period). The texture of the film resembles antique furniture, which is deep and full of internal force. The biggest highlight is Gary Oldman’s performance, which is simply Churchill’s soul. Every cell is a play.

Zeng Nianqun, Executive Editor of Youth Film Handbook:

Although it is an Oscar-style biographical film, the film technique is retro and not fashionable enough, but it still successfully creates a great leader who runs counter to his colleagues in the establishment school and finds strength among the civilians. Film editing, directing, acting and other aspects have played a higher level, and it is a film that infects the audience as a whole.

Huang Zhuo Sina Entertainment Film Group Leader:

Churchill’s monologue can also be regarded as a "prequel" to Dunkirk. In the face of the national crisis, the consultation and operation within the regime is the best place for this film. Gary Oldman’s interpretation of Churchill deserves an Oscar statuette.

Editor-in-Chief of A Lang Movie Magazine:

At the beginning of the film, Chamberlain, who advocated appeasement policy, was kicked off the historical stage, and at the end, Churchill’s famous speech, "We will fight to the end, we will fight in France, we will fight in the ocean, and we will fight in the air with increasing determination and strength … …” The structure has achieved a perfect closed loop, and the atmosphere is the same, but the mental state is completely different.

This is a classical film, which strictly abides by the three principles of the play from its structure to its emotional ups and downs. Therefore, many people will think that this is a particularly well-behaved film, far from the escape of contemporary movies.

　

But this is a very, very exquisite movie.

　

In terms of photography, the secret words of the film were strictly observed. In addition to the dark suit, there are dim lights in the corridor and the shadow of sunshine in the office. Churchill’s bedroom was also covered by thick curtains, and the occasional outdoor play was also gloomy and rainy. This is the climate characteristics of Britain, and it is also a portrayal of the mood of the characters in the play, and it is also the presentation of the atmosphere of public opinion and the lingering sense of oppression at that time.

Gary Oldman’s performance, praised by countless people, deserves such great praise. His best performance is not the burst of strength, but the details, such as the eyes looking up from the frame, splashing saliva, vague pronunciation and wheezing. This is his tough truth and the reason why he changed history.

Gary Oldman’s performance didn’t show how tough and fearless this hero was at a critical moment in history. What he showed was Churchill’s weakness, fear, hesitation and irritability. The great move he made was to repeatedly deny the decision he had to make after struggling. He defeated himself and was defeated by all mankind.

Yabo gun draft：

The Darkest Hour is a biographical film adapted from a real event, which is loved by the Oscar judges. Churchill led the audience into the critical moment of World War II in do or die, and reproduced the decision made by Churchill and the whole UK to change the world. Gary Oldman plays Churchill, who is far from his own image, by means of special effects makeup. What he pursues is the restoration of spiritual temperament, which is undoubtedly the highlight moment of Odeman’s performance career.

Deputy Editor-in-Chief of Content Department of Laoyang Time Network:

It’s not just a joke to call The Dark Hour a prequel to Dunkirk. There is a wonderful connection between them. "Dunkirk" focuses on describing the psychological reaction of soldiers and people at major historical juncture, while this film focuses on showing the decision-making background of leaders at major juncture.

Gary Oldman’s interpretation of Churchill is vivid. There is no need to repeat his wonderful acting skills, but the performance of director joe wright is amazing. The plot is concentrated in the timeline of several months, and the beautiful lens language and smooth editing rhythm connect many characters and events in series. Churchill’s contact with the masses in the subway is similar to a stroke of genius. It may be a bold imagination to promote the plot, and it also gives an answer to the difficult problem of "whether the course of history is the decision of great men or the influence of popular will".

Editor-in-Chief of Xiaotuo Iqiyi Film Channel:

A neat, academic, classicism biographical film, which seems to be tailor-made for the Oscar, is a perfect match. Together with Dunkirk, it has become the two sides of the story of World War II. Photography and performance are the highlights. Gary Oldman’s performance has the aura of locking in the best actor in this Oscar in advance.

Red fish film critic:

If "Dunkirk" shows the audience the life and death of hundreds of thousands of young people on the vast beach where the sea and the sky meet, then "The Dark Hour" is in a cramped indoor space, which gives us a glimpse of the survival of the whole free Europe decades ago.

Director joe wright still keeps the narrative style of "Pride and Prejudice" and "Atonement" in which the undercurrent is hidden under the stagnant water waves, and strives to truly restore history, but also creates real little faces with the lens, as if to explain to us that the power to change a country’s destiny can only come from the people forever.

Gary Oldman, a British actor, gave a cutting-hair-washing-pulp-like acting skill this time. Although the level of special effects and makeup is amazing, it really makes us believe that this face on the screen is Churchill’s, but it is still a soul that he described with his eyes and body language that is sometimes firm, sometimes fragile, sometimes sly and sometimes tired, and that is as ordinary as each of us, but it is extremely great.

Cui Ting Film Critics:

Gary Oldman’s performance is textbook-level, and the film is completely supported by his performance. How can a British prime minister stick to himself when he is facing an incomparably powerful German army and dealing with the Dunkirk retreat and internal and external difficulties? The film emphasizes faith and courage, and the performance is superb, almost locking in this year’s Oscar for best actor.

Gary Oldman belongs to the kind of actor who sinks down to acting, even a small role can shine. This time he plays Churchill. Odeman is very thin, so he needs special effects makeup to play the burly Churchill, wearing a silicone mask and getting fat. Just like in Andy Lau’s Slimming Men and Women, the thin man becomes fat. However, the present makeup technology is so exquisite that it is difficult to see that Churchill is a standard actor without debunking it. Therefore, in the Oscar Awards in 2018, the Best Makeup Award of Dark Hour may not have run away.

International Senior Editor of China Film Report by Qi Zheng;

The Dark Hour keeps the pride of academic films, which can be impeccable in photography, soundtrack and editing, and is also just right in artistic processing. It does not destroy the film’s heavy sense of history, but injects the surging expressive force of film art into the film, allowing the audience to be in the dark hour and find the light of victory here. The excellent overall control of the film didn’t make Gary Oldman play a one-man show. If this film is an exquisite afternoon tea cake of the British royal family, Gary Oldman’s performance is the gorgeous cherry embellished on it.

　　BEIJING, Sept. 29 (Xinhua)-After the carpet publicity of the new film The Sun Also Rises, at the end of September, the director Jiang Wen, who returned from Hong Kong, finally recovered from the uproar. In his "Joy" studio at the east gate of the Forbidden City, Jiang Wen accepted an in-depth interview with the program Phoenix Extraordinary Road, a new phoenix media.

　　The box office was not high, and the audience shouted and couldn’t understand it. Obviously, this reality didn’t stimulate Jiang Wen. Sitting in his most familiar studio, he still blinked symbolically, and he was still the radiant Jiang Wen. In fact, he doesn’t think that this "flirting" with the audience has failed. On the contrary, many viewers are "intoxicated" and can’t forget it if they want to. He jokingly said that the current situation is exactly what he wants to see. "The Sun is a fire reconnaissance, which shows me the mentality of the current social crowd."

　　Jiang Wen said that he actually loves life, eats well and sleeps well, and is not as tough as everyone thinks. "I can’t be anxious. Being anxious is not a good attitude. When I was young, I was always anxious with others." He even bluntly admired Chris Lee, calling her the Li Tiemei of the new era, and "Fast Man" is a good thing, because "even nannies love to watch it".

　　This is a Jiang Wen who is still "energetic". He believes that "strong imagination creates reality" and thinks that director China should abandon the route of blockbusters and stubbornly pursue his own accent. This is a changing Jiang Wen. He has become high-profile, open and secular, and doesn’t mind playing the role of "fashion man" in various magazines to boost the box office.

　　The director who only directed three films, but created a strong "personal accent", intervened in the secular world and made peace with it in a softer and more reasonable way when middle age came, in order to fly higher and higher in imagination. He has more possibilities.

　　Responding to "I don’t understand": "The Sun" is intoxicating. After 70, people really have obstacles in watching movies.

　　The "atypical" success of Sunny Days and The Devil Comes has made people realize that Jiang Wen’s imagination and narrative style are different from those of any director, and gained great reputation. The new film "The Sun Also Rises", a personal dream work, made the audience shout "I don’t understand". Jiang Wen responded by saying that according to his own observation, "infatuation" is the main reaction of the audience. "In my view of film, I forget it halfway through it. I don’t think it can be called a good movie. No one who has watched The Sun at present can forget it. "

　　Is there a misjudgment of the taste of the current mainland audience? Jiang Wen denied it. He said that the audience was really crouching tiger, hidden dragon. At present, the audience’s various statements made him very happy. "This is called controversy. Controversy shows that everyone is involved." He even joked that "The Sun" was his own fire reconnaissance. "Through this fire reconnaissance, I probably know what the audience is like now. It is richer than I expected, very high, naive and very naive, and those who twist the bar are very extreme and wide-ranging."

　　The only thing that Jiang Wen can’t understand is that it is almost impossible for the post-80s, post-90s and even post-60s people to accept The Sun, but the post-70s people "can’t understand it". He guessed that this generation has neither the purity of the post-generation nor the reserve of the previous generation, and it is this "embarrassment" that caused the obstacles to watching movies. However, he doesn’t mind, "take a train and a car, ride a bike, whatever. You don’t have to fly. A movie will definitely not be caught in the net."

　　"The Sun" didn’t win the prize. Jiang Wen: "A film that doesn’t hurt people’s self-esteem is easy to win the prize."

　　"The Sun" entered Venice with a high profile, but returned empty-handed. Many people speculated that Jiang Wen would be depressed. Jiang Wen laughed at this. "Just like going to war with you, how can you not die?" Film Festival? I think it is a fair, which can make things more lively. At that time, they asked me, and he said, what if you don’t get one? I said it was more lively, so why not? We can talk about this, it doesn’t matter. So now I think the situation is the best. You don’t have to make a mess, just shave your head, and it’s very cool to shave with one knife. I think this situation is also quite good. "

　　Jiang Wen, a former judge of Cannes Film Festival, also revealed his experience. He said that the Cannes Film Festival stipulated that the best film and the best director could not win prizes at the same time, but he and the judges just broke this "heaven rule". Speaking of what kind of films are easy to win prizes, he said meaningfully, "Anyway, films that don’t hurt people’s self-esteem are easy to win prizes."

　　Comment on China blockbusters: No blockbusters in China are American patents.

　　Jiang Wen uses "accent" to define the existence value of a director. As a director with a strong accent, he appreciates directors Stephen Chow and Wong Kar-wai who have unique accents. He said that China’s film industry is now in the stage of rural urbanization. "I think it is precisely the time when we have the opportunity to speak with different accents and let everyone watch it fully.".

　　Speaking of the wave of "blockbusters" in China in recent years, Jiang Wen thinks that there are no blockbusters in China. "If you don’t have a film machine and a film industry, how can there be blockbusters?" Let Americans shoot blockbusters and commercial films. "What do you call Transformers? Don’t say that China people can’t shoot it, and it can’t be filmed anywhere except the United States. There’s no need to feel inferior. Can I shoot in Japan? Can the whole EC shoot? Africa, Oceania, can’t shoot, just this place in the United States. It has more than 100 years of film accumulation, where filmmakers all over the world have accumulated. I am also very willing to succeed in China. Dreams are ok, but they don’t shine into reality! "

　　"Change" Jiang Wen: "I have been making up lessons for seven years and I am desperately mature."

　　Some media said that before The Sun, Jiang Wen gave people the impression that he was domineering, lofty and difficult to cooperate. When The Sun came out, Jiang Wen seemed to suddenly become amiable. He played a "fashionable man" in various magazines with unusual high profile, and even showed his love and affection with his wife Zhou Yun on various occasions. After the media’s "indiscriminate bombing", Jiang Wen said that the bombing was not enough. "We lack air support, and now we are basically infantry. Air support is to turn the whole street and TV into advertising signboards or something. I think that’s right. " No wonder he envied Zhang Yimou for having Zhang Weiping as a good "propagandist".

　　Nowadays, Jiang Wen has to directly face many specific affairs other than movies, and even be responsible for the box office of his own movies, so he said, "I can’t be anxious. Being anxious is not a good attitude. When I was young, I was always anxious with others." He said, "when you go to the United States, you see many people are older children, and his society allows him to do so." When you are 40 or 50 years old, you are out here, and I almost got out several times, just because I matured late. Therefore, I have to make up lessons in these seven years and try my best to mature. "

　　"Open" Jiang Wen: Appreciating Chris Lee and "Fast Man" are willing to try New Year movies.

　　Jiang Wen is by no means so inaccessible or "awkward" as the outside world imagined. In fact, his attitude towards new things is quite open. He has a special affection for the post-80s young people. In the conversation with the staff after the interview, he modestly exchanged his views on "The Sun" and specially left an email address for everyone to recommend good movie ideas and literary works to him.

　　What is even more surprising is that he even revealed in the program that he likes Chris Lee. "Li Tiemei was Chris Lee at that time!" As for the "fast man" who represents pop culture, Jiang Wen also feels good, because the nanny at home likes to watch it. "Our aunt wants to see it, and she doesn’t cook. She said she wants to watch the fast men’s final. I said, I cook and I wash the dishes. I think they are so happy. They are so happy! This is good. People are very involved, very active and very independent in intervening in people they want or like. This is good. "

　　He Dong, the host of "Extraordinary Way", asked in the program, is there any problem with making a New Year film with the second part of "The Sun" which is super hilarious? I didn’t expect Jiang Wenlian to say "yes" and "how nice". "I’m actually very good at making movies that make everyone happy from beginning to end. In fact, the devil has been having fun." It seems that director Xiaogang Feng will have an opponent in the future.

Editor: Li Dan

After Arsenal lost to Nottingham Forest in the away game, Manchester City won the Premier League title three times ahead of schedule, which was the first time in the team’s history that the Premier League won three consecutive titles. Manchester City captain Gundogan said, "I will never forget this season".

"It is a very special thing to help the club complete three consecutive championships. The Premier League is undoubtedly the most demanding and competitive league in the world, so I want to tell you what a great achievement this is. "

"This team has outstanding talent and is very special. It is a great honor to be the captain this season. I also want to thank Guardiola, all the coaching staff and everyone who works in this club. They help us every day and provide us with everything we need to succeed. Without their support, we could not have won this championship. "

"It’s incredible to win this trophy three times in a row and five times in six years. The excellent strength and continuity prove the position of this Manchester City and will ensure that the club will continue to strive for success."

"This is a season that I will never forget. Excellent fans have always been with us. Without their great support, I don’t think we could have achieved what we have achieved in the past six seasons. Their enthusiasm and support are so important to all of us. "

"The hope of winning the Premier League title again is an appropriate way for us to express our gratitude to the fans."